{"id":1560,"date":"2021-01-13T09:31:19","date_gmt":"2021-01-13T09:31:19","guid":{"rendered":"https:\/\/2022.uroboros.design\/?page_id=1560"},"modified":"2022-09-30T22:29:26","modified_gmt":"2022-09-30T22:29:26","slug":"o-uroboros","status":"publish","type":"page","link":"https:\/\/2022.uroboros.design\/cs\/o-uroboros\/","title":{"rendered":"Uroboros"},"content":{"rendered":"\n

Festival Uroboros je ka\u017edoro\u010dn\u00edm setk\u00e1n\u00edm experiment\u00e1tor\u016f*ek z oblasti um\u011bn\u00ed, designu a v\u00fdzkumu, kte\u0159\u00ed*r\u00e9 skrze svou tvorbu cht\u011bj\u00ed podpo\u0159it pozitivn\u00ed eko-spole\u010denskou zm\u011bnu.<\/p>\n\n\n\n

Na\u0161e kolektivn\u00ed zkoum\u00e1n\u00ed a aktivity jsou inspirov\u00e1ny pluralistick\u00fdm symbolem Urobora \u2013\u2060 b\u00e1jn\u00e9ho hada, kter\u00fd po\u017e\u00edr\u00e1 s\u00e1m sebe a m\u011bn\u00ed svou podobu ve v\u011b\u010dn\u00e9m cyklu znovuvytv\u00e1\u0159en\u00ed,  vyu\u017e\u00edvaj\u00edc sv\u00e9 vlastn\u00ed t\u011blo jako palivo. Obraz zacyklen\u00e9ho hada Urobora vystihuje sou\u010dasnou soci\u00e1ln\u00ed, environment\u00e1ln\u00ed a politickou frustraci. Je p\u0159\u00edslibem nov\u00fdch za\u010d\u00e1tk\u016f i nekone\u010dn\u00fdch n\u00e1vrat\u016f, zt\u011bles\u0148uje ochotu j\u00edt kup\u0159edu, ale tak\u00e9 neschopnost vymanit se ze zatuchl\u00e9, extraktivistick\u00e9 praxe \u201ebusiness as usual\u201c. <\/p>\n\n\n\n

Projekt Uroboros byl iniciov\u00e1n koncem roku 2019 skupinou p\u0159\u00e1tel v Praze, a ofici\u00e1ln\u011b o\u017eil v kv\u011btnu 2020 spolu s inaugura\u010dn\u00edm festivalem Uroboros #1<\/a>. Prvn\u00ed ro\u010dn\u00edk festivalu se uskute\u010dnil jako hybridn\u00ed online\/offline akce a se\u0161lo se na n\u011bm v\u00edce ne\u017e 600 design\u00e9r\u016f, um\u011blc\u016f, v\u00fdzkumn\u00edk\u016f a kreativn\u00edch tv\u016frc\u016f z cel\u00e9ho sv\u011bta. Inspirov\u00e1ni t\u00edmto z\u00e1jmem jsme se rozhodli roz\u0161\u00ed\u0159it Uroboros z jednor\u00e1zov\u00e9ho festivalu do dlouhodob\u00e9ho projektu a pokra\u010duj\u00edc\u00ed festivalov\u00e9 s\u00e9rie. <\/p>\n\n\n\n

\n
\n \n <\/div>
\n \n <\/div><\/div><\/div>\n\n\n

Jako kur\u00e1to\u0159i, design\u00e9\u0159i, um\u011blci a kamar\u00e1di stoj\u00edc\u00ed za projektem Uroboros si klademe za c\u00edl p\u011bstovat glob\u00e1ln\u00ed komunitu p\u0159isp\u011bvatel\u016f, kte\u0159\u00ed maj\u00ed z\u00e1jem zkoumat, co m\u016f\u017ee eko-soci\u00e1ln\u011b orientovan\u00e1 kritick\u00e1 tv\u016fr\u010d\u00ed praxe ud\u011blat pro podporu pozitivn\u00ed zm\u011bny v na\u0161em planet\u00e1rn\u00edm spole\u010denstv\u00ed. Kruh Uroboros je v\u017edy otev\u0159en nov\u00fdm vstup\u016fm a provokac\u00edm. Nejlep\u0161\u00edm zp\u016fsobem, jak se k n\u00e1m p\u0159ipojit, je nadch\u00e1zej\u00edc\u00ed festival Uroboros 2022<\/strong> s podtitulem „Svl\u00e9k\u00e1n\u00ed z k\u016f\u017ee“, kter\u00fd se uskute\u010dn\u00ed 5. a\u017e 8. \u0159\u00edjna 2022 v Praze<\/strong> a v p\u0159idru\u017een\u00e9m online prostoru. Festivalov\u00e9 akce jsou p\u0159\u00edstupn\u00e9 zdarma fyzicky i online. Video z\u00e1znamy akc\u00ed jsou dostupn\u00e9 k pozd\u011bj\u0161\u00edmu zhl\u00e9dnut\u00ed v online festivalov\u00e9m archivu na kan\u00e1lu Youtube. <\/p>\n\n\n\n

\n
\n \n <\/div><\/div><\/div>\n\n\n

B\u011bhem prvn\u00edch dvou ro\u010dn\u00edk\u016f byl Uroboros podpo\u0159en Centrem sou\u010dasn\u00e9ho um\u011bn\u00ed DOX<\/a> v Praze a situov\u00e1n v kur\u00e1torsk\u00e9m programu v\u00fdstavy #DATAMAZE<\/a>. Od roku 2022 je Uroboros nez\u00e1vislou iniciativou \u0159\u00edzenou had\u00edm kolektivem Platforma Uroboros z.s.<\/p>\n\n\n\n

Seznamte se s t\u00fdmem festivalu Uroboros 2022<\/strong><\/h2>\n\n\n\n

Mark\u00e9ta Dolej\u0161ov\u00e1<\/a><\/strong> \u2013\u2060 v\u00fdzkumnice a design\u00e9rka, kter\u00e1 experimentuje se mnoho-smyslov\u00fdmi, t\u011blesn\u00fdmi a rela\u010dn\u00edmi metodami pozn\u00e1v\u00e1n\u00ed sv\u011bta. Jej\u00ed participativn\u00ed tvorba vznik\u00e1 v kolaboraci s lidsk\u00fdmi i ne-lidsk\u00fdmi akt\u00e9ry. V sou\u010dasn\u00e9 dob\u011b p\u016fsob\u00ed jako postdoktorandka v projektu CreaTures (Creative Practices for Transformational Futures)<\/a> na finsk\u00e9 Aalto University. Je spoluzakladatelkou v\u00fdzkumn\u00fdch a design\u00e9rsk\u00fdch projekt\u016f Feeding Food Futures<\/a>, Open Forest Collective<\/a> a Festival Uroboros. <\/p>\n\n\n\n

Lenka H\u00e1mo\u0161ov\u00e1<\/strong><\/a> \u2013\u2060 design\u00e9rka, v\u00fdzkumnice a vizu\u00e1ln\u00ed um\u011blkyn\u011b \u017eij\u00edc\u00ed a pracuj\u00edc\u00ed v Praze. Jej\u00ed um\u011bleck\u00e1 a v\u00fdzkumn\u00e1 praxe se zam\u011b\u0159uje na mo\u017en\u00e9 aplikace synt\u00e9zy syntetick\u00fdch obraz\u016f mediovan\u00e9 n\u00e1stroji um\u011bl\u00e9 inteligence. Zkoum\u00e1, jak m\u016f\u017ee spolutvorba s um\u011blou inteligenc\u00ed pos\u00edlit lidskou p\u0159edstavivost. V sou\u010dasn\u00e9 dob\u011b pokra\u010duje v doktorsk\u00e9m studiu na Filmov\u00e9 a televizn\u00ed fakult\u011b Akademie m\u00fazick\u00fdch um\u011bn\u00ed v Praze (FAMU).<\/p>\n\n\n\n

Michal Ku\u010der\u00e1k<\/strong> – kur\u00e1tor, v\u00fdzkumn\u00fd pracovn\u00edk a lektor. Spolupracuje s Centrem sou\u010dasn\u00e9ho um\u011bn\u00ed DOX a TBA21-Academy, kde vede projekt Ocean-Archive.org. Je studentem doktorsk\u00e9ho studia na Fakult\u011b v\u00fdtvarn\u00fdch um\u011bn\u00ed VUT v Brn\u011b a autorem projektu #DATAMAZE (DOX, Praha, 2018 – 2022) – konceptu roz\u0161\u00ed\u0159en\u00e9 v\u00fdstavy zam\u011b\u0159en\u00e9 na pos\u00edlen\u00ed digit\u00e1ln\u00ed a datov\u00e9 gramotnosti prost\u0159ednictv\u00edm sou\u010dasn\u00fdch um\u011bleck\u00fdch a designov\u00fdch projekt\u016f v galerijn\u00edm prost\u0159ed\u00ed. Je sou\u010d\u00e1st\u00ed t\u00fdmu, kter\u00fd realizuje festival UROBOROS zam\u011b\u0159en\u00fd na soci\u00e1ln\u011b anga\u017eovan\u00fd design a um\u011bn\u00ed. <\/p>\n\n\n\n

Uroboros je d\u00e1le podporov\u00e1n na\u0161imi had\u00edmi friendssss:<\/strong><\/p>\n\n\n\n

Enrique Encinas<\/a> \u2013\u2060 v\u00fdzkumn\u00edk v oblasti designu, kter\u00fd za pomoci spekulativn\u00edch metod zkoum\u00e1 hranice mezi vzory a strukturami vytvo\u0159en\u00fdmi lidmi a technologiemi. P\u0159ed z\u00edsk\u00e1n\u00edm doktor\u00e1tu v oboru interak\u010dn\u00edho designu vystudoval telekomunika\u010dn\u00ed a polovodi\u010dovou techniku, v sou\u010dasn\u00e9 dob\u011b p\u016fsob\u00ed jako odborn\u00fd asistent na univerzit\u011b Oslo – School of Architecture and Design. <\/p>\n\n\n\n

Denisa Reshef Kera<\/a> \u2013\u2060 filozofka a design\u00e9rka experimentuj\u00edc\u00ed s kreativn\u00edmi strategiemi zapojen\u00ed ve\u0159ejnosti do v\u011bdecko-technologick\u00fdch ot\u00e1zek a probl\u00e9m\u016f. Pracovala jako v\u00fdzkumnice na projektu RegTech, jako stipendistka v projektu BISITE, University of Salamanca a na Weizenbaum Internet Institute v Berl\u00edn\u011b. M\u00e1 celosv\u011btov\u00e9 zku\u0161enosti s v\u00fdzkumn\u00fdmi projekty citizen science, nap\u0159\u00edklad z National University of Singapore, Arizona State University a Karlovy Univerzity v Praze. V roce 2021 nastoupila na Univerzitu v Tel Avivu s projektem monetizace webu a blockchainov\u00fdch technologi\u00ed pro tvorbu obsahu.<\/p>\n","protected":false},"excerpt":{"rendered":"

Festival Uroboros je ka\u017edoro\u010dn\u00edm setk\u00e1n\u00edm experiment\u00e1tor\u016f*ek z oblasti um\u011bn\u00ed, designu a v\u00fdzkumu, kte\u0159\u00ed*r\u00e9 skrze svou tvorbu cht\u011bj\u00ed podpo\u0159it pozitivn\u00ed eko-spole\u010denskou zm\u011bnu. Na\u0161e kolektivn\u00ed zkoum\u00e1n\u00ed a aktivity jsou inspirov\u00e1ny pluralistick\u00fdm symbolem Urobora \u2013\u2060 b\u00e1jn\u00e9ho hada, kter\u00fd po\u017e\u00edr\u00e1 s\u00e1m sebe a m\u011bn\u00ed svou podobu ve v\u011b\u010dn\u00e9m cyklu znovuvytv\u00e1\u0159en\u00ed,  vyu\u017e\u00edvaj\u00edc sv\u00e9 vlastn\u00ed t\u011blo jako palivo. Obraz zacyklen\u00e9ho hada […]<\/p>\n","protected":false},"author":2,"featured_media":1772,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/2022.uroboros.design\/cs\/wp-json\/wp\/v2\/pages\/1560"}],"collection":[{"href":"https:\/\/2022.uroboros.design\/cs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2022.uroboros.design\/cs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2022.uroboros.design\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/2022.uroboros.design\/cs\/wp-json\/wp\/v2\/comments?post=1560"}],"version-history":[{"count":6,"href":"https:\/\/2022.uroboros.design\/cs\/wp-json\/wp\/v2\/pages\/1560\/revisions"}],"predecessor-version":[{"id":1630,"href":"https:\/\/2022.uroboros.design\/cs\/wp-json\/wp\/v2\/pages\/1560\/revisions\/1630"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2022.uroboros.design\/cs\/wp-json\/wp\/v2\/media\/1772"}],"wp:attachment":[{"href":"https:\/\/2022.uroboros.design\/cs\/wp-json\/wp\/v2\/media?parent=1560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}